A giraffe playing something not totally unlike a sitar. Drawn and quick Illustrator toned while listening to Trans-Global Underground's 'Yes Boss Food Corner'. Scorch!

An Egyptian rabbit, drawn after some meditation on cliches of species/costume pairs. . Or is she just a well-costumed flapper? One or the other. Digital coloring done over three days in Illustrator 9 atop now-vanished traditional inks; no actual reference used for costume design, only my mental store of Egyptian costume cliches picked up from countless Nile valley furry drawings by many other artists.

One is a few weeks old; the other five were done today while I waited for some art to be ready for me to animate in Flash. Arranged semi-unevenly on a sketchbook page for your viewing convenience. When I finished the cat in the upper left, I felt as if I'd been posessed by Megan Giles for a moment...

I was talking with someone about abstraction and stylization. This came out.

A big fat rat which I drew while in New Orleans for the winter holidays. A lot of people there are built along these lines.\r\n\r\nI haven't drawn much lately; I was quite surprised at how well this doodle came out - simultaneously geometric and dimensional. Neat.\n

A screengrab of a 'face' (aka 'skin') for Audion, a Mac MP3 player. Available in the official Audion face archive at www.panic.com, if you should happen to use that for your MP3s. Supposedly there's also an Audion face->SoundJam skin converter, too, but this'd look pretty nasty without an alpha channel.

Is it Robert Smith of the Cure? Or is it Elric, also called the White Wolf, also called Kinslayer?<p>Whichever. Late-night Coca-Cola hyperness. Illustrator tones, some Photoshop texture muck.\n

The first page of a backup strip I've done for Richard Bartrop's 'Zaibatsu Tears' comic book (volume #2, issue #3 - bug your local comic shop now!). Six pages of starkly-rendered space opera.<p>And now I shall sleep.\n

Artist's Ambush, 10-jan-00: 'Draw yourself as a musical artist, either a solo one or with a group. It can be any type of music or any period. Feel free to give yourself and/or your band a name, and to use anyone else standing about in the room as part of the band. Everything else is up to your imagination!'<p>\r\nAbout 30 minutes, fountain pen and black marker.<p>\r\nThis is the post-Ambush version: better scan, added text to make it look like a real flyer.\r\n\n

FM wiz Tugrik. Crayolas with a bit of stinky AD marker for the blacks, on a grocery bag. About 16" square, and a royal pain to scan. I do however like his slightly-evil grin.<p>The extreme deliberate crudity of the media choice is quite probably a reaction to doing so much stuff in Illustrator lately.<p>Drawn while repeatedly listening to Curve's 'Come Clean', if anyone's keeping track.\r\n\n

Or <i>Illustrator Experiment 5</i>, but that's not very euphonious. Illustrator 8 over a scan of a very quick pencil rough. Check out the <a href=http://www.rdwarf.com/peganthyrus/art/TheShelteringSky.pdf>Acrobat 4 version</a> if you have it the plugin.<br>Originally inspired by <a href=/vcl Artists/oCeLoT/digital/>oCe's neat mouse-drawn limited-palette stuff.\n

The Australian gothbunny of Furry. Drawn rather quickly very late one night when she said what's quoted on the image, and Illustratored (is that a verb?) as that night shaded into morning.\n

Logo sort of thing for a comics project of mine. 100% Illustrator, including autotraced inks.\r\n\n

Wait until Halloween to look at this one. *grin* I'm never in touch with the seasons.\r\n\n

There's a story behind this one, but I shan't tell it. All you need to know\r\nis that maybe this dragon is one of my sisters. You don't even need to know\r\nif that's an IC sister or a VR one.\r\n\n

Wolf ala Frank Miller's 'Sin City' comics. I called the file 'Sin Dog' because\r\n'Sin Wolf' just sounds... stupid. Originally uploaded with a parodically\r\ncutsey description, that none of the 'artists' I was parodying with it probably\r\nunderstood. Darn.\r\n\n

Late-night quickie of a raccoon mage interrupted in the middle of casting a spell.\r\nThings look so much better against a black background with an abstract shape\r\nthan floating in a white void, don't they?\r\n\n

This emerged from a rather lengthy discussion in Furry's Studio de l'Artiste about abstraction, meaning, messages, and the like. I pointed out that the message of much furry art is simply 'I like to draw naked fox-women', then realized that's a dandy title for a quick image.\r\nI spent about ten minutes on it, from ballpoint pen scribble to digital tones. The ironic part is that I _don't_ really like to draw naked fox women. Oh well.\n

Not quite the usual: a somewhat dark-elfin anthro scorpion encountered when I should have been sleeping, and drawn for the sheer novelty.\n

Inspired by my room-mate's face, vague memories of 'Impossible Mission', but mostly by the desire to draw a huge, funky robot.\n

Seeing too many furry-Powerpuff attempts made me do this a while back. I remembered its existance, and scanned and colored it.\r\n\r\nTheir heads are STILL too small, honestly.\n

Caring about every single pixel is a dying art. Unfortunately this was done in a non-square pixel aspet ratio (NTSC, to be precise), so it's a bit squat...\n

This one _was_ drawn in square pixels, so enjoy. Smaller than the thumbnail!\n

Ashtoreth as the Empress of the Universe, Or At Least A Goodly Portion Thereof.\n

Portrait of the artist as a happy dragon.\n

'Who put the bom in the bombomdiddleyebom?' - Bently Rhythm Ace. This raccoon probably doesn't know, but she can dance to it...\r\n\n

Japhet in the middle of something dark.\n

Another brooding picture of a female raccoon. This one's semi-goth.\n

Raccoons aren't as cute and cuddly as some might think. Not all of them.\n